a seat in my box and injudiciously asked at the end what he had liked best. ‘What I think I liked best,’ he said, ‘was tearing up the programme and dropping the bits on people’s heads.’ Thus am I often laid low. A copy of my favourite programme of the play is still in the drawer. In the first or second year of Peter No. 4 could not attend through illness, so we took the play to his nursery, far away in the country, an array of vehicles almost as glorious as a travelling circus; the leading parts were played by the youngest children in the London company, and No. 4, aged five, looked on solemnly at the performance from his bed and never smiled once. That was my first and only appearance on the real stage, and this copy of the programme shows I was thought so meanly of as an actor that they printed my name in smaller letters than the others.
I have said little here of Nos. 4 and 5, and it is high time I had finished. They had a long summer day, and I turn round twice and now they are off to school. On Monday, as it seems, I was escorting No. 5 to a children’s
