at the point where self-realisation by self-reproduction is the game to play. Under that impulse the selective principle begins to assert itself, and straightway the outcome is ornament. Self-realisation (by self-reproduction under all sorts of images and symbols) is the true basis of ornament and of art: self-realisation!
The spirit of man, moving through these means, impresses itself reproductively on the spirits of others with a far better calculation of effect than can be secured through bodily inheritance. For in physical parentage there is always the chance of a throw-back to tainted origins; the sober and moral citizen cannot be sure of sober and moral children in whom the desire of his soul shall be satisfied. They may be drawn, by irresistible forces, to take after some giddy and disreputable old grandfather or grandmother instead of after him; for in his veins run the parental weaknesses of thousands of generations; and over the racial strain that passes through him to others he possesses no control whatever. But the man who has given ornament to life in any form of art—though he commits it to the risks and chances of life, the destructive accidents of peace and war—is in danger of no atavistic trick being played upon the product of his soul; he is assured of his effect, and so long as it endures it reflects and represents his personality more faithfully than the descendants of his blood.
Now for the satisfaction of that instinct,
