Page:Possession (1926).pdf/155

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Oriental in their extravagance. Above the fuzzy bang reared a tiara of emeralds and diamonds and beneath, sweeping over the mountainous curve of her bosom so that it entangled itself in the plastrons of diamonds fastened beneath, hung a necklace of emeralds. All these repeated their glitter in the rings on the plump hands emerging from long tight sleeves of black satin, which stretched perilously at each dominating gesture employed to direct the small army of servants. But all the jewels were a little dirty. It was probable that no money had been wasted in cleaning them in more than twenty years.

This, then, was the Mrs. Callendar, appearing to-night in grande tenue to receive a small and shrewdly picked list of guests at her only entertainment of the season. To Ellen, peering with breathless curiosity through the crack in the screen, this plump middle-aged woman must have appeared a highly bedizened figure of fun; for Ellen, having come freshly from the provinces, could have known nothing of all the glamour and power that lay concealed in the hour glass of velvet, satin, and soiled diamonds.

There was no secretary hired by this thrifty woman to send lists of her guests to the daily papers and see that her picture or paragraphs concerning her appeared once or twice a week. She did not even give twenty course dinners interrupted by false endings of Roman punch, nor circus entertainments like those of some women who filled the pages of the noisier journals with columns of diversion for shop girls. Through the barbaric spectacle of the late nineties and the early nineteen hundreds she made her way quietly and firmly, knowing perhaps that she was above these things, a power beyond power, living most of the year abroad, seeing only those persons who amused her (for she had learned long ago that in order to survive one must be selective). Indeed her name was more likely to appear upon the pages devoted to stocks and bonds than in the columns given over to what was known variously as the beau monde and the Four Hundred.

Queerest of all was the fact that behind this stout-willed dowager lay an impossibly romantic past.