Page:Possession (1926).pdf/159

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stared with a petulant intensity into the faces of all her companions.

But she was rich; she was respected; she was fashionable. Indeed in those days of the Nineties and the early Nineteen Hundreds when European titles had not yet acquired a doubtful character, she achieved an added glamour through the unsought visits of bankrupt Royalist relatives, distant in relationship but much in need of American heiresses. And at least two of them took home as brides the respective daughters of an American nickel plate king and a wizard of Wall Street. They were gaudy days, less pleasant perhaps in the eyes of Thérèse Callendar than the quiet provinciality she had known in the beginning as the bride of Richard Callendar. This capital of the new world she knew, in the depths of her racial instinct, to be an awkward affair, flamboyant, yet timid; vulgar yet aspiring; arrogant but still a little fearful. It was the day of twenty course dinners and banquets at which the cost of feeding each guest was estimated in the daily press. The Greek woman knew that some day this city would come of age.

So Ellen, trembling with excitement in her hiding place behind the screen, must have caught a little of the smoldering magnificence that lay hidden in the plump corseted figure, for presently she forgot entirely the bearlike Russian tenor and the exotic dancer with her outlandish bangles. She had eyes only for Mrs. Callendar and the guests who had begun to arrive.

That wise hostess might have written an entire book on the subject of an amusing entertainment. From the procession of guests it was clear that she considered them a part of the evening's diversion, a kind of preliminary parade about the arena which provided variety and color. She understood that people came when you provided rich food and amusing types, the more preposterous the better.

A Tzigane orchestra, much in fashion, assembled itself presently and played an accompaniment to the grand march of arriving