again by the ghostly boom of a great ship's whistle rising from the fog-veiled river . . . marvelous, splendorous sounds of a great world close at hand. There lay in these sounds a wonderful sense of the crowd—in which she herself was not a part. Lying there, her fingers would clutch the bedclothes tightly and presently she would become conscious that in her listening she was not alone, that beside her, separated by the little chasm which divided the two green beds, Clarence too lay awake . . . listening. She must have known in those hours an unreal consciousness of something that was waiting . . . a Thing destined not to become clear until long afterward . . . a Thing which waited silently and with a terrible patience. It was an experience that was not rare; it happened many nights, so that presently she came to be happy in the weeks when Clarence, traveling through the night hundreds of miles from her, was not there at all.
Sometimes her hand would steal out and in the darkness be touched and clasped by another hand that trembled and clung to hers in a sort of terror.
ELLEN'S awareness of Richard Callendar came over her slowly, a sensation neither desired nor anticipated, but one which stole upon her in some obscure fashion through the corridors of her own music. It would have been impossible to fix the moment at which this awareness took form; certainly it was not during that first damp drive through the park, when, wedged between his slim body and that of the yellow-clad Sabine, she had her first view of him. On that occasion she had remarked him merely as a young man perhaps of thirty (in this she was wrong by five years) who possessed a beauty of a kind new to her, a beauty of which there were traces to be found among certain of the workers in the Mills that hugged the dying hedges of Shane's Castle. It was, in short, a kind of mystical, unearthly
