Page:Possession (1926).pdf/396

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"No," he told her. "Not this time. They are for my sister."

It was Ellen whom he was to see in the Rue Raynouard, Ellen whom he had not seen in years. . . . Ellen who was famous now, a great musician.

As he moved away, it struck him as luck that he had come by chance on the flower woman. For a musician, an artist, flowers were the thing . . . an enormous bunch of flowers. Ellen would appreciate the gesture. She would play up to it. She would, he fancied, even expect it.

In the blue darkness (it was an excellent night, he thought, for an air raid) he turned the corner past the Café des Tourelles and the blind, steel-shuttered magasin. The houses stood forbidding and black. The Rue Raynouard between the magasin and the tobacconist's shop gaped like the mouth of Avernus. It would be difficult to find the house, turning its deceptive, insignificant face to the street, so lost among its commonplace neighbors. From far away, on the slope that led down toward the Seine, the sound of footsteps, muffled by the damp, came to him across the cobblestones. But the solitary walker turned away and the sound died presently into silence.

A hundred paces from the square he halted before a house to search for the number. In the darkness it remained invisible; it was impossible to find it even by sense of touch. Puzzled, he stood for an instant looking up and down the street, and then through the thick stillness there rose the faint sound of music, distant and fragmentary. Listening, he found presently that the melody took form: the fragments joined into a pattern of sound. It was the Appassionata. Only the crescendos were swept toward him through the damp night air, only the moments when the music rose into a wild abandon. There could be no mistaking it . . . the music was Ellen's, more magnificent than it had ever been.

As he stood there in the thin mist upon the doorstep the sound, coming distantly from inside the house up the long paneled stairs, had upon him an amazing effect. It was a sensation bordering upon clairvoyance; he no longer stood on the dripping cobble-