The simple frail refrain echoed through the great rooms. It was a child who sang it—a simple naïve child. He knew for an instant what a strange, idiotic, pitiful affair this war had been. He had not known until now.
Fergus moved down from the last step of the long stairs. The green music of Debussy died away, and as he entered the room he saw that Ellen was not alone. She sat at the piano in the far end near the bright fire where she had sat on that first day when she had entered from the same stairway to discover Madame Gigon, little Jean and the dogs. There was only Criquette left now, lying fat and lonely before the fire, and Hansi, the great black wolf. Beside her, with his back towards the stairs, sat a man with dark hair in a uniform blue like the one Fergus himself wore; and while he stood, silent in his surprise, he saw the stranger lean forward and, taking Ellen in his arms, kiss her. He saw too that her arms were about the stranger, but it was not the embrace that astonished him; it was the sight of Ellen's strong, white hand, clenched as if in resistance, as if in pain. Yet she did not struggle. It was only the hand . . . clenched, white, as if all her will, all her resistance were centered in it.
It gave Fergus the strangest shock. He found himself turning abruptly away and hiding in the stairway with an air of having witnessed something obscene. It was all spoiled now, all the entrance he had planned, the hope of finding her alone, the mocking, teasing, grandiose speeches he had planned. The stranger had taken possession of her, placed himself there between them as a barrier. It was ridiculous. . . .
Feeling like a small boy who had been caught eavesdropping, he coughed and scuffled his feet and then made a second entrance. This time they turned and Ellen, rising to her feet, stared at him for a moment and then rushed toward him cry-
