THEY were married a month before the armistice, quietly with only Monsieur de Cyon and Lily and Jean and Hattie at the ceremony. It was the family once more (the remnants of the vigorous family which had once filled the drawing-room at Shane's Castle) which dominated all else in fitting fashion at such events as births and deaths and weddings. Thérèse was not present, for Ellen had decided quickly and there was not time for her to return from New York. Nor was Rebecca there. A week before the wedding there had been a scene in which Rebecca played all her cards in a forlorn hope of winning the game against Callendar. She had told Ellen that she herself was a Jewess and knew what men like Callendar were like. She had told her that he was cruel and domineering and that all his patience, all his quiet aloofness only covered the steel of a will which she would come in time to know too well. She said that in the end he would do his best to destroy her, not alone as a musician but as a woman. And Ellen listened quietly, secure against it all in the knowledge of the new duty that lay before her. It was not until Rebecca in a perfect debauch of fury screamed at her, "He is marrying you only to break your will . . . to destroy you. It is that which lies behind it all. . . . A conflict. . . . I know. . . . A conflict. He has wanted it all these years," that Ellen grew white and terrifying and told her to go.
"I never want to see you again," she said. "I am grateful for what you have done, but you cannot arrange all my life for me. What you say is a lie. . . . It isn't true. You say it all because you can no longer plan my whole life."
So Rebecca had gone, her bright ferret eyes red and savage. On the long stairs she met Callendar coming in but she did not so much as glance at him. In her heart she had not yet yielded the victory. She would defeat him in the end. She
