PART VI
THE LATER EIGHTEENTH CENTURY
Chap. XIX. Haydn. The Sonata and the Orchestra.
143. General Survey.
144. Haydn.
145. His Works and Style.
146. The Classical Sonata and Symphony.
147. The Perfected Orchestra.
148. The Early Symphonists.
149. Instrumental Virtuosi.
Chap. XX. Gluck and the Dramatic Reform.
150. The Operatic Situation.
151. The Later Neapolitans.
152. Gluck as a Reformer.
153. The Purpose of his Innovations.
154. His Immediate Contemporaries.
155. Operatic Progress in France.
Chap. XXI. Mozart and the Exaltation of Melody.
156. Mozart's Unique Position.
157. His Style in General.
158. The Singspiel and the Artistic Song.
159. Secular Music in England.
Chap. XXII. The Rise of Pianism. Sacred Music.
160. The Improved Piano.
161. The Vienna Pianists.
162. The Clementi School.
163. Catholic Church Music.
164. Protestant Church Music.
Chap. XXIII. Theoretical and Literary Progress.
165. Literature about Music.
166. Summary of the Half-Century.
