PART VIII
THE MIDDLE NINETEENTH CENTURY
Chap. XXX. Schumann and Romanticism.
189. General Survey.
190. The Career of Schumann.
191. His Work as Composer.
192. His Work as Critic.
193. Leipsic as a Literary Centre.
Chap. XXXI. Mendelssohn and the Leipsic Circle.
194. Mendelssohn's Usefulness.
195. His Works and Style.
196. The Gewandhaus Orchestra and the Leipsic Conservatory.
197. Certain Other Leipsic Masters.
Chap. XXXII. New Lights upon Pianism.
198. Chopin as a Tone-Poet.
199. Salon Music.
200. The Bravura Pianists.
201. Liszt and the Orchestral Style.
202. Rubinstein and Bulow.
Chap. XXXIII. The Opera aside from Wagner.
203. Verdi and the Italians.
204. Development of the Opéra Comique.
205. Austrian and German Opera.
Chap. XXXIV. Wagner and the Reconstruction of the Opera.
206. The Situation Confronting Wagner.
207. Growth of his Artistic Ideal.
208. Influence of his Views.
209. The Dresden Circle.
210. Liszt and the Weimar Circle.
Chap. XXXV. Symphonists and Instrumentalists.
211. Competing Orchestral Ideals.
212. The Work of Berlioz.
213. Some Conservative Leaders.
214. Liberal Tendencies in Austria and Russia.
215. Famous Violinists and 'Cellists.
216. Other Instrumentalists.
217. Waltz Music.
Chap. XXXVI. Choral Music. The Song. The English School.
218. The Revival of Choral Music.
219. The Berlin Circle.
220. Organ Music.
221. Catholic Music.
222. The Song and Ballade.
223. Music in England.
224. Music in America.
Chap. XXXVII. Musical Education and Literature.
225. The Conservatories.
226. Certain Pedagogical Specialties.
227. Historical Studies.
228. Theorists and Critics.
229. Summary of the Period.
