Page:Pratt - The history of music (1907).djvu/668

Chanson, The, 94, 116, 147, 150

Chapels—in general, 99-100;
  French Royal, 89, 100, 137-8;
  English Royal, 98, 100, 142-4, 212, 271;
  Papal, 99, 122-7, 195;
  Imperial (Vienna), 132-3, 265-8;
  Spanish Royal, 140

Chinese Music, 32-5

Chiroplast, The, 623

Choirmasters, 99-100

Choral Music and Societies, 599-604, 648

Chorale, The, 129, 139, 150, 200-1, 250-1, 259

Chorale-Elaboration, The, 219, 250, 255, 261

Chorus, The Dramatic, 169, 173, 178, 273, 293, 363, 428, 569

Christian Music, Rise of, 63-6

Chromatic Tones, 72-3, 159, 215

Church Music (see Anglican, Catholic, Greek, Lutheran, Russian)

Clarinettists, 353, 469-70, 524, 597

'Classical' Style, The, 335-6, 341-3, 408, 427, 495-6, 501-2, 515

Clefs, 71-2

Clercs de la Bazoche, Les, 181

'Color' (in notation), 79

'Coloristen,' Organ, 221

'Colorists,' Orchestral, 581

Combination-tones, 302

Comédies Française and Italienne (Paris), 286

Comedy-Opera, The, 447

Concentores Sodales, The (London), 487

Concertato Style, The, 199-200

Concerto, The, 240, 294, 301-2, 321-2, 348, 388, 469

Concerts, Public, 241, 300-1, 347

Concerts spirituels (Paris), 301

Conducting and Conductors, 242, 345, 523, 525, 585, 597, 614

Confrérie de la Passion, La (Paris), 181

Confrérie de St. Julien, La (Paris), 106

Conservatories, 193, 447, 490, 518, 523-4, 527-8, 602-3, 617-20, 649

Cornettists, 597

Counterpoint—origin, 77-81;
  15th cent., 93-102, 115-27, 129, 143-50;
  16th, 116-27, 134-8, 140-50, 159-60, 162;
  17th, 195-213, 217-28;
  18th, 250-72, 293, 316, 320-1, 394-9;
  19th, 479, 571, 605-7

Courante, The, 317

Cremona, 121, 235-7, 468

Criticism, Musical, 328, 331, 400, 402-3, 493-4, 510-2, 574, 629-30, 653-4

Cyclical Forms, 315

Cyclopædias (see Dictionaries)


Dances—primitive; 25-6, 31;
  oriental, 36-7, 46-7;
  mediæval, 102, 104;
  16th cent., 155;
  17th, 180-2, 205, 240, 246;
  18th, 316-8;
  19th, 534, 597-8

Degrees, Musical, 142

Denmark, Music in, 188, 364, 382, 522, 559, 588, 619, 644-5

Dictionaries, 21, 156, 244, 329, 406, 494, 628

Dilettanti, The Florentine, 151-2

Discant, 79-80

Domchor, The (Berlin), 518, 602

Double, The (see Variation)

Double-bassists, 468, 524, 595

Double Choirs (see Polychoric Style)

Drama, The—primitive, 26;
  oriental, 37, 51-2, 151;
  mediæval, 166-70;
  modern (see Opera and Oratorio)

Drame Lyríque, The, 447, 554-5, 635

Dresden, 131, 185-7, 201, 204-5, 277, 282, 358, 396, 426, 440, 483, 572-4, 619

Duet, The, 173


Egyptian Music, 41, 46-9

Eighteenth Century, The—early, 249-332;
  later, 335-408

Enfants sans Souci, Les, 181

England, Music in—mediæval, 81, 97-8, 103;
  15-16th cents., 142-6, 149-50;
  17th, 188-90, 212-3, 228, 238, 241;
  18th, 271-2, 289-96, 382-7, 397-9;
  19th, 486-9, 516, 610-5, 619-23, 642-3

Ensembles, Operatic, 273, 276, 363, 428

Equal Temperament (see Temperament)

Evirati, 123, 277

Extemporization, 389, 391, 521


Fancy, The, 155, 241

Fantasia, The, 116, 155, 219, 469

Ferrara, 121, 222

Festivals, Musical, 436-7

Fifteenth Century, The, 93-108

Figured Bass (see Basso Continuo)

Fingering, Keyboard, 257, 263

Finnish Music, 648

Flemish Contrapuntists (see Netherlanders)

Florence, 151-2, 168-70, 174, 311, 619

Flutists, 304-5, 353, 403, 469, 524, 573, 596-7

Folk-Music, 90-1, 102-8, 129, 150, 329, 405, 494-5

Form, 80, 97, 104-5, 116, 147, 161, 246, 315-24, 335, 406-8, 492, 534, 570-1

France, Music in—mediæval, 73, 85-9;
  16th cent., 137-40;
  17th, 180-4, 210, 228, 237, 240-1;
  18th, 285-7, 347, 362, 366-70, 393-4, 397;
  19th, 445-51, 462, 466-70, 550-5, 582-6, 604-5, 607, 617-22, 640-1