really mean ‘Pleasure alone is good as an end,’ then we must agree with Bentham that ‘Quantity of pleasure being equal, pushpin is as good as poetry.’ To have thus dismissed Mill’s reference to quality of pleasure, is therefore to have made one step in the desired direction. The reader will now no longer be prevented from agreeing with me, by any idea that the hedonistic principle ‘Pleasure alone is good as an end’ is consistent with the view that one pleasure may be of a better quality than another. These two views, we have seen, are contradictory to one another. We must choose between them: and if we choose the latter, then we must give up the principle of Hedonism.
49. But, as I said, Professor Sidgwick has seen that they are inconsistent. He has seen that he must choose between them. He has chosen. He has rejected the test by quality of pleasure, and has accepted the hedonistic principle. He still maintains that ‘Pleasure alone is good as an end.’ I propose therefore to discuss the considerations which he has offered in order to convince us. I shall hope that discussion to remove some more of such prejudices and misunderstandings as might prevent agreement with me. If I can shew that some of the considerations which Professor Sidgwick urges are such as we need by no means agree with, and that others are actually rather in my favour than in his, we may have again advanced a few steps nearer to the unanimity which we desire.
50. The passages in the Methods of Ethics to which I shall now invite attention are to be found in I. ix. 4 and in III. xiv. 4—5.
The first of these two passages runs as follows:
“I think that if we consider carefully such permanent results as are commonly judged to be good, other than qualities of human beings, we can find nothing that, on reflection, appears to possess this quality of goodness out of relation to human existence, or at least to some consciousness or feeling.
“For example, we commonly judge some inanimate objects, scenes, etc. to be good as possessing beauty, and others bad from ugliness: still no one would consider it rational to aim at the production of beauty in external nature, apart from any
