"Mary Magdalene," judged from the dramatic point of view, is a quite impressive tragedy, yet a full and sufficient treatment of the very suggestive scriptural legend it is not. The converted courtezan is characterized too abstractly. Instead of presenting herself as a woman consumed with blazing sensuality but in whom the erotic fire is transmuted into religious passion, she affects us like an enacted commentary upon such a most extraordinary experience.
Finally, there are several volumes of essays, to some of which reference has already been made.[1] Le Temple Enseveli ("The Buried Temple"), (1902), consists of six disquisitions, all dealing with metaphysical subjects: Justice, The Evolution of Mystery, The Reign of Matter, The Past, Chance, The Future. Le Double Jardin ("The Double Garden"), (1904), is much more miscellaneous in its makeup. These are its heterogeneous subjects: The Death of a Little Dog, Monte Carlo, A Ride in a Motor Car, Dueling, The
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- ↑ Considerable liberty has been taken by Maeterlinck in the grouping and naming of his essays upon their republication in the several collections. The confusion caused thereby is greatly increased by the deviation of some of the translated editions from the original volumes as to the sequence of articles, the individual and collective titles, and even the contents themselves.
