explained detracts nothing from the beauty of virtue or the sublimity of genius. But what does utter obscurity express? If the public do not advert even in censure to a performance, has that performance already received its condemnation?
The result of this controversy is important to the ingenuous critic. His labours are indeed miserably worthless if their objects may invariably be attained before their application. He should know the limits of his prerogative. He should not be ignorant, whether it is his duty to promulgate the decisions of others, or to cultivate his taste and judgment, that he may be enabled to render a reason for his own.
Circumstances the least connected with intellectual nature have contributed, for a certain period, to retain in obscurity the most memorable specimens of human genius. The author refrains perhaps from introducing his production to the world with all the pomp of empirical bibliopolism. A sudden tide in the affairs of men may make the neglect or contradiction of some insignificant doctrine a badge of obscurity and discredit: those even who are exempt from the action of these absurd predilections are necessarily in an indirect manner affected by their influence. It is perhaps the product of an imagination daring and undisciplined: the majority of readers ignorant and disdaining toleration refuse to pardon a neglect of common rules; their canons of criticism are carelessly infringed, it is less religious than a charity sermon, less methodical and cold than a French tragedy, where all the unities are preserved: no excellencies, where prudish cant and dull regularity are absent, can preserve it from the contempt and abhorrence of the multitude. It is evidently not difficult to imagine an instance in which the most elevated genius shall be recompensed with neglect. Mediocrity alone seems unvaryingly to escape rebuke and obloquy, it accommodates its attempts to the spirit
