Page:Purgatory00scho.djvu/127

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

CHAPTER XXXI.

Matter of Expiation — Scandal given — Immodest Paintings — Father Zucci and the Novice.

Those who have had the misfortune to give bad example, and to wound or cause the perdition of souls by scandal, must take care to repair all in this world, if they would not be subjected to the most terrible expiation in the other. It was not in vain that Jesus Christ cried out, Woe to the world because of scandals! Woe to that man by whom the scandal cometh! [1]

Hear what Father Rossignoli relates in his Merveilles du Purgatoire. [2] A painter of great skill and otherwise exemplary life had once made a painting not at all comformable to the strict rules of Christian modesty. It was one of those paintings which, under the pretext of being works of art, are found in the best families, and the sight of which causes the loss of so many souls.

True art is an inspiration from Heaven, which elevates the soul to God; profane art, which appeals to the senses only, which presents to the eye nothing but the beauties of flesh and blood, is but an inspiration of the evil spirit; his works, brilliant though they may be, are not works of art, and the name is falsely attributed to them. They are the infamous productions of a corrupt imagination.

The artist of whom we speak had allowed himself to be misled in this point by bad example. Soon, however, renouncing this pernicious style, he confined himself to the production of religious pictures, or at least of those which were perfectly irreproachable. Finally, he was painting a large picture in the convent of the discalced Carmelites, when he was attacked by. a mortal malady,

  1. Matt, xviii. 7.
  2. Merv. 24.