and there were statues and sundials and stone-seats scattered about with almost too profuse a hand. Mottoes also were in great evidence, and while a sundial reminded you that “Tempus fugit,” an enticing resting-place somewhat bewilderingly bade you to “Bide a wee.” But then again the rustic seat in the pleached alley of laburnums had carved on its back, “Much have I travelled in the realms of gold,” so that, meditating on Keats, you could bide a wee with a clear conscience. Indeed so copious was the wealth of familiar and stimulating quotations that one of her subjects had once said that to stroll in Lucia’s garden was not only to enjoy her lovely flowers, but to spend a simultaneous half hour with the best authors. There was a dovecote of course, but since the cats always killed the doves, Mrs Lucas had put up round the desecrated home several pigeons of Copenhagen china, which were both imperishable as regards cats, and also carried out the suggestion of humour in furniture. The humour had attained the highest point of felicity when Peppino concealed a mechanical nightingale in a bush, which sang “Jug-jug” in the most realistic manner when you pulled a string. Georgie had not yet seen the Copenhagen pigeons, or being rather short-sighted thought they were real. Then, oh then, Peppino pulled the string, and for quite a long time Georgie listened entranced to their melodious cooings. That served him out for his “trap” about the real pear introduced among the stone specimens. For in spite of the rarefied atmosphere of culture at Riseholme, Riseholme knew how to “desipere in loco,”
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