primitive and slow boat. I now made a voyage I had made years before, when putting off from Como in a skiff we had visited Tremezzo. How vividly I remembered and recognised each spot. I longed inexpressibly to land at the Pliniana, which remained in my recollection as a place adorned by magical beauty. The abrupt precipices, the gay-looking villas, the richly-wooded banks, the spire-like cypresses—a thousand times scarcely less vividly had they recurred to my memory, than now they appeared again before my eyes. Sometimes these thoughts and these revisitings were full of inexpressible sadness; a yearning after the past—a contempt for all that has occurred since, that throws dark and chilling shadows over the soul. Just now, my mind was differently attuned; the young and gay were around; and in them I lived and enjoyed.
Madame Pasta has a villa on the lake, some miles distant from Como. She has an excessive fear of the water, and never goes to Como by the steamer. Unluckily there is no road on her side of the lake; and she has a house on the opposite shore, in which to remain, if the weather is stormy, to wait for the smoothing of the waters. Methinks the elements are rude indeed not to obey her voice—never did any so move, so penetrate the human heart. In “Giulietta,” in “Medea,” and, above all, in the
