SCHONTZ (Madame), name borne by Mademoiselle Schiltz, afterwards Madame Fabien du Ronceret. (See this last name.)
SCHWAB (Wilhelm), born at Strasbourg in the early part of the nineteenth century, of the German family of Kehl, had Frederic (Fritz) Brunner as his friend, whose follies he shared, whose poverty he relieved, and with whom he went to Paris; there they went to the Hotel du Rhin, rue du Mail, kept by Johann Graff, father of Emilie, and brother of the famous tailor, Wolfgang Graff. Schwab kept books for this rival of Humann and Staub. Several years later he played the flute at the theatre at which Sylvain Pons directed the orchestra. During an intermission at the first brilliant performance of "La Fiancee du Diable," presented in the fall of 1844, Schwab invited Pons through Schmucke to his approaching wedding; he married Mademoiselle Emilie Graff—a love-match—and joined in business with Frederic Brunner, who was a banker and enriched by the inheritance of his father's property. (Cousin Pons)
SCHWAB (Madame Wilhelm), wife of the preceding; born Mademoiselle Emilie Graff; an accomplished beauty, niece of Wolfgang Graff, the wealthy tailor, who provided her with dowry. (Cousin Pons)
SCIO (Madame), a prominent singer of the Theatre Feydeau in 1798, was very beautiful in "Les Peruviens," a comic opera by Mongenod, produced with very indifferent success. (The Seamy Side of History)
SCOEVOLA (Mucius). Under this assumed name was concealed, during the Terror, a man who had been huntsman to the Prince de Conti, to whom he owed his fortune. A plasterer, and proprietor of a small house in Paris, on about the highest point of the Faubourg Saint-Martin,[1] near the rue d'Allemagne, he affected an exaggerated civism, which masked an unfailing fidelity to the Bourbons, and he in some mysterious way afforded protection to Sisters Marthe and Agathe (Mesdemoiselles de Beauseant and de Langeais),
- ↑ His parish was the Saint-Laurent church, which for a while during the Revolution had the name of Temple of Fidelity.
