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ROMANCE AND REALITY.

in satin-stitch. On the walls were divers whole-length portraits, most pastoral-looking grandmammas, when a broad green sash, a small straw hat, whose size the very babies of our time would disdain, a nosegay somewhat larger than life, a lamb tied with pink riband, concocted a shepherdess just stepped out of an eclogue into a picture. Grandpapas by their side, one hand, or rather three fingers, in the bosom of each flowered waistcoat, the small three-cornered hat under each arm; two sedate-looking personages in gowns and wigs, and one—the fine gentleman of the family—in a cream-coloured coat, extending a rose for the benefit of the company in general. Over the chimney-piece was a glass, in a most intricate frame of cut crystal within the gilt one, which gave you the advantage of seeing your face in square, round, oblong, triangular or all shapes but its natural one. On each side the fire-place was an arm-chair; and in them sat, first, Mr. Arundel, reading the county newspaper as if he had been solving a problem; and, secondly, his lady dozing very comfortably over her knitting; while the centre of the rug was occupied by two white cats—one worked in worsted, and surrounded by a wreath of roses