represented in woodcut No. 61 that the one might almost pass for the other, were it not that the photograph is taken from the wrong side, to bring out the resemblance, as it is seen on the spot, while in others the resemblance is as great, or even greater. It is very unsatisfactory, however, picking these points of similarity from books, some of the engravings in which are from imperfect drawings. In others, artistic effect has been more aimed at than truth, and some are taken from photographs, which, though they give a truthful, generally give an unintelligent representation of the object.
It is only by personal familiarity that all the facts can be verified and pitfalls avoided. But it is always useful to turn attention to any forms that may seem novel, and explain peculiarities in others which but for such means of comparison would remain unnoticed. Here, for instance, is one from Sjöborg, which resembles the Countless Stones at Aylesford, as drawn by Dr. Stukeley (woodcut No. 27). It is found at a place called Oroust, in Böhuslan,[1] and stands on a low mound encircled by twenty large stones at its base. The chamber is low, and semi-circular in form, and in front of it stands what the Germans call a sentinel stone. No date is given to this monument by Sjöborg, for he was so far indoctrinated in modern theories that he
- ↑ 'Samlingar,' i. pl. iii. fig. 6.
