Page:Satire in the Victorian novel (IA satireinvictoria00russrich).pdf/164

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"Having nothing to construct, he could always deal with generalities. Being free from responsibility, he was not called upon either to study details or to master even great facts. * * * Mr. Monk had once told Phineas Finn how great were the charms of that inaccuracy which was permitted to the Opposition."


The always useful ironic device of simply delineating one's objects with brushes and colors of their own, of presenting them as they see themselves, is used in one episode both on an institution and an individual. The Press reacts to the appointment of a scoundrel to the Cabinet.[1]


"The Jupiter, with withering scorn, had asked whether vice of every kind was to be considered, in these days of Queen Victoria, as a passport to the cabinet. Adverse members of both Houses had arrayed themselves in a pure panoply of morality, and thundered forth their sarcasms with the indignant virtue and keen discontent of political Juvenals."


Nevertheless, the new incumbent enjoys his emoluments.[2]


"Now, as he stood smiling on the hearthrug of his official fireplace, it was quite pleasant to see the kind, patronizing smile which lighted up his features. He delighted to stand there, with his hands in his trousers pocket, the great man of the place, conscious of his lordship, and feeling himself every inch a minister."


With reference to what was then a new policy of administration, he employs ironic exhortation.[3]


"Let every place in which a man can hold up his head be the reward of some antagonistic struggle, of some grand compet-*

  1. Framley Parsonage, 180.
  2. Ibid., 183. Cf. Heine's remark of Louis Phillipe, that he "rose in solid majesty, every pound a king."
  3. The Bertrams, 6. There are pages in this strain.