Page:Satire in the Victorian novel (IA satireinvictoria00russrich).pdf/189

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

CHAPTER I

INDIVIDUALS


As the target to the missile, so is its object to satire. A target is in itself a thing of sufficient identity to be amenable to definition,—even if that can be no more precise than "something aimed at." But in the concrete there are targets and targets. So, while the satirized may be reduced to an abstract entity, as deception or some other ubiquitous trait of human nature, there exist in fact as many varieties of the satirized as of satirists. Anything which any one may criticise, if it be subject to humorous treatment, may be a satirical object.

But since subdivisions are convenient, we make three for this purpose, which seem fairly inclusive, though not at all mutually exclusive. The simplest and narrowest class is that of actual Individuals. The next is formed by the cohesion of individuals into groups, creating Institutions. The third is made by the artistic conversion of individuals into fictitious characters, sufficiently artificial to be designated as Types,—more or less complex, according to the nature of their creator, but never entirely simple, if they are fashioned of human stuff.

Even more than usual, however, is the caution necessary that the classification is artificial and the classes inseparable. An individual may, and indeed generally does, represent an idea or an organization or a certain temperament. Particularly when an object of satire, John Doe is not viewed as John Doe but as an embodiment of some principle or kind of conduct disapproved of by his critic.