Page:Satire in the Victorian novel (IA satireinvictoria00russrich).pdf/217

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  • fairs, who, embarrassed neither by the principles of the philosopher

nor by the prejudices of the bigot, can assume, with a cautious facility, the prevalent tone, and disembarrass himself of it, with a dexterous ambiguity, the moment it ceases to be predominant: recommending himself to the innovator by his approbation of change 'in the abstract,' and to the conservative by his prudential and practical respect for that which is established; such a man, though he be one of an essentially small mind, though his intellectual qualities be less than moderate, with feeble powers of thought, no imagination, contracted sympathies, and a most loose public morality; such a man is the individual whom kings and parliaments would select to govern the State or rule the Church."


It is not to be supposed, however, that the people would choose any better than kings and parliaments; on the contrary,—[1]


"The Thirty at Athens were at least tyrants. They were marked men. But the obscure majority, who, under our present constitution, are destined to govern England, are as secret as a Venetian conclave. Yet on their dark voices all depends."


The trend of the succeeding novelists is toward a modified liberalism, but Meredith is the only one to satirize the reactionary attitude as such. The others throw the emphasis elsewhere. Besides, even such humanitarians as Dickens, Gaskell, Reade, and Kingsley, are dubious as to the remedial power of popular government, and seem inclined toward Carlyle's view of Chartism. What Chesterton says of one of them would not be untrue applied to the rest:[2]

  1. Sybil, 43.
  2. In his Dickens, 81. Dickens himself admits in a letter to Macready (1855) that he has "no present political faith or hope—not a grain."