Page:Satire in the Victorian novel (IA satireinvictoria00russrich).pdf/320

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  • able man, he is the head; and the prophet that teacheth

lies, he is the tail,"—but their remedy would lie not in increased reliance on a theocracy but in a more adequate popular referendum. John Barton concludes his impassioned tirade against mill-owners and capitalists with the argument,—[1]


"Don't think to come over me with th' old tale, that the rich know nothing of the trials of the poor; I say, if they don't know, they ought to know. We're their slaves as long as we can work; we pile up their fortunes with the sweat of our brows, and yet we are to live as separate as Dives and Lazarus, with a great gulf betwixt us: but I know who was best off then."


On another occasion he adds this explanation,—[2]


"What we all feel sharpest is the want of inclination to try and help the evils which come like blights at times over the manufacturing places, while we see the masters can stop work and not suffer."


To this serious and personal grief Meredith responds, as it were, in his more impersonal and ironic manner. Diana represents the view from a position of equality, and the satire of one's own class:[3]


"And charity is haunted, like everything we do. Only I say with my whole strength—yes, I am sure, in spite of the men professing that they are practical, the rich will not move without a goad. I have and hold—you shall hunger and covet, until you are strong enough to force my hand;—that's the speech of the wealthy. And they are Christians. In name. Well, I thank heaven I'm at war with myself.'"


Kingsley is spurred by the subject to a bitter sarcasm:[4]

  1. Mary Barton, 6.
  2. Ibid., 317.
  3. Diana of the Crossways, 48.
  4. Yeast, 34.