the play is staged in Shantiniketan, visitors coming from Calcutta to see it, especially if the poet is himself taking part. The poet coaches the actors himself, first reading the play aloud, and then reading it over with those who are to take part. During the days when the play is being rehearsed there are not many classes held, for the boys of the whole School are always present at the rehearsals. One sees the small boys peeping in at the windows, and showing the keenest appreciation of the humorous and witty scenes. The final day is a busy one, for the stage has to be prepared and there must be a dress rehearsal. To this the boys are not admitted, as it would take away the freshness of the play if they were able to see a too nearly perfect presentation of it beforehand. But when it begins there is great enthusiasm amongst visitors and boys alike, as the songs and dances reveal the spirit of the play to the delighted audience. In this way the ideas of the poet are assimilated by the boys, without their having to make any conscious effort. In fact they are being educated into his thought through the sub-conscious mind, and this is one of the root principles of Rabindranath Tagore’s method of education.
