uncomfortable chairs are alone procurable, and, all in all, the house is about as filthy as one can find in Mexico. It is rumored that Sarah Bernhardt is to come to Mexico next December with a French troupe, and as French is as common as Spanish here, she will doubtless have large houses. It is to be hoped the managers will awaken to the fact that the house needs a scrubbing down and fumigating before that time.
As stated before, young men do not need to keep back their washerwoman's money to be able to take their best theater. A gentlemen and lady are never seen alone; even husband and wife, if they have no friends, take a servant along.
Mexico supports a circus all winter. They have an amphitheater built for the purpose, and it is the best lighted and cleanest spot in the city. It is open afternoons and evenings, except Monday. The seats are arranged theater-like—pit, boxes and balconies. Some very good performing is done, but Spanish jokes by the clowns and very daring feats on horseback are the only acts which gain applause from the Mexicans. The menagerie, for which they charge twenty-five cents extra, is not well attended, as the people can see more in the museum for nothing, and they prefer the beasts stuffed, to being stuffed themselves or stuffing another man's purse for the sight of a lion, monkey and striped donkey.
CHAPTER XIV.
THE FLOATING GARDENS.
Of course, everybody has heard of the famous floating gardens of Mexico, and naturally when one reaches this lovely clime their first desire is to go up to La Viga. I wanted to visit the gardens, and with a friend, who put up a nice lunch, started out to spend the day on the water. The sun was just peeping over the hilltops when we took a car marked "La Viga," and off we went. We spent the time translating signs and looking at the queer things to be seen. The oddest sight was the slaughter shop. The stone building looked like a fortress. Around the entrance were hundreds of worn-out mules and horses, on which men were hanging meat. They had one wagon,
