siderable architectural pretensions. A light groining sprang from six stout columns, and hung down in two rich pendants from the centre of the vault. The place terminated behind the altar in a round end, embossed and honeycombed with a superfluity of ornament in relief, and pierced by many little windows shaped like stars, trefoils, or wheels. These windows were imperfectly glazed, so that the night air circulated freely in the chapel. The tapers, of which there must have been half a hundred burning on the altar, were unmercifully blown about; and the light went through many different phases of brilliancy and semi-eclipse. On the steps in front of the altar knelt a young girl richly attired as a bride. A chill settled over Denis as he observed her costume; he fought with desperate energy against the conclusion that was being thrust upon his mind; it could not—it should not—be as he feared.
"Blanche," said the Sire, in his most flute-like tones, "I have brought a friend to see you, my little girl; turn round and give him your pretty hand. It is good to be devout; but it is necessary to be polite my niece."
The girl rose to her feet and turned toward the now comers. She moved all of a piece; and shame and exhaustion were expressed in every line of her fresh young body; and she held her head down and kept her eyes upon the pavement, as she came slowly forward. In the course of her advance, her eyes fell upon Denis de Beaulieu’s feet—feet of which he was justly vain, be it remarked, and wore in the most elegant accoutrement even while traveling. She paused—started, as if his yellow boots had conveyed some shocking meaning—and glanced suddenly up into the wearer’s countenance. ‘Their eyes met; shame gave place to horror and terror in her looks; the blood left her lips; with a piercing scream: she covered her face with her hands and sank upon the chapel floor.
