"And the man, my angel?" inquired Berthelini, passing the ribbon of his guitar. "And the man, m 'amour?"
"He is a man," she answered.
"You hear that?" said Leon to Stubbs. "It is not too late for you. Mark the intonation. And now," he continued, "what are we to give them?"
"Are you going to sing?" asked Stubbs.
"I am a troubadour," replied Leon. "I claim a welcome by and for my art. If I were a banker could I do as much?"
"Well, you wouldn't need, you know," aswered the undergraduate.
"Egad," said Leon, "but that's true. Elvira, that is true."
"Of course it is," she replied. "Did you not know it?"
"My dear," answered Leon, impressively, "I know nothing but what is agreeable. Even my knowledge of life is a work of art superiorly composed. But what are we to give them? It should be something appropriate."
Visions of "Let dogs delight" passed through the undergraduate's mind; but it occurred to him that the poetry was English and that he did not know the air. Hence he contributed no suggestion.
"Something about our houselessness," said Elvira.
"I have it," cried Leon. And he broke forth into a song of Pierre Dupont's:—
Savez-vous ou gite
Mai, ce joli mois?
Elvira joined in; so did Stubbs, with a good ear and voice, but an imperfect acquaintance with the music. Leon and the guitar were equal to the situation. The actor dispensed his throat-notes with prodigality and enthusiasm; and, as he looked up to heaven in his heroic way, tossing the black ringlets, it seemed to him that the very stars contributed a dumb applause
