half-open throat, the closed glottis, or "voice box," the immobile lip (whose remedy, by the way, is not mouthing), the thick tongue,—all these, causing indistinctness, nasality, throatiness, are impediments to speech. So are throat or nasal or dental obstructions. So is incorrect breathing.
The nice art of enunciation and articulation is worth mastery. Phonics appears to some people like a science of very small things. It has not only an æsthetic value, but, if you must separate them, an intellectual value. Masters of enunciation and articulation give not only finish but richer meaning to language. This, again, is no doubt due to the lively connection between sound and sense. Open mouth and throat well to pronounce the vowels in joy, or shine, and confirm the truth of this; note the force of vowels, consonants, or aspirate pronounced accurately in glisten, shimmering, hushed, croaked, scream, harsh. It will be understood of course that the requirements of character suggestion may demand slurring, chopping off, drawling, and all sorts of speech vices; when in place they become virtues.
We are fond of using the expression "as natural as breathing." How many are breathing as nature would have them? The speaker should be past master of breathing: be able to expand the dia-
