Page:Studies of a Biographer 1.djvu/53
THE EVOLUTION OF EDITORS
We can make a tolerably distinct picture of the
He then published a pathetic appeal to the public, pointing out that the wicked Roper had made money by his paper, and was dismissing him without just cause. He tried, like other men in the same position, to carry on a 'true' Postboy, which, if ever fairly started, has vanished from the world. What kind of interviews Boyer was likely to have with Swift may be guessed from The Journal to Stella. Swift calls him a 'French dog who has abused me in a pamphlet'; orders a messenger to take him in charge, and requests St. John to 'swinge him.' Whoever wrote it afterwards, The Postboy itself was a 'tri-weekly' sheet which would go comfortably into a column of The Times. Its speciality, due probably to Boyer's French origin, was its foreign correspondence, and it had little else. The whole, as a rule, seems to have been made up of little paragraphs extracted from letters giving remarks about the war, and the remaining space was eked out by half a dozen advertisements. Boyer's 'editing' was all done with a pair of scissors. He was hardly more than a clerk employed by Roper to select bits of news, and probably to arrange for a supply of the necessary material.