scruples. A fatal picture has, you know, robbed me of my daughter; and my husband, after this melancholy accident, determined on entirely removing this unfortunate portrait: he accordingly gave orders for it to be put in a heap of old furniture, where no one would think of looking for it; and in order to discover the best place to conceal it, he was present when it was taken there. In the removal, he perceived a piece of parchment behind the canvass which the fall had a little damaged: having removed it, he discovered it to be an old document, of a singular nature. The original of this portrait, (said the deed,) was called Bertha de Hainthal; she fixes her looks on her female descendants, in order that if any one of them should receive its death by this portrait, it may prove an expiatory sacrifice which will reconcile her to God. She will then see the families of Hainthal and Meltheim united by the bonds of love; and finding herself released, she will have cause to rejoice in the birth of her after-born descendants.
“This then is the motive which made my husband anxious to fulfil, by the projected marriage, the vows of Bertha; for the death of his daughter, caused by Bertha, had rendered her very name formidable to him. You see, therefore, I have the same reasons for adhering to the promise made my dying husband.”
