edition of 1845, is divided into twenty-three sections, containing a total of 243 lines. Eleven explanatory prose notes are added, which disappear in all subsequent editions. A critic whose familiar acquaintance with the text of Poe gives weight to his verdict, declares that although "different in structure, and explaining some things which, in later copies, are left to the imagination, the Tamerlane of 1827 is in many parts quite equal to the present poem."
Of the nine "Fugitive Pieces" which follow only three, and these in a somewhat altered form, were included by the author in his later collection. The remaining six have never been reprinted in book form, although they were, together with a few extracts from the earliest version of "Tamerlane," printed (so incorrectly, however, as to be practically valueless,) in a magazine article on "The Unknown Poetry of Edgar Poe," contributed by Mr. John H. Ingram to Belgravia for June 1876.
I have no desire to disparage or underrate, and have already taken occasion to render tribute to, the worthy and loyal service and labour of love performed by Mr. Ingram, with zeal if not always with discretion, on the text of Poe, and still more notably in clearing his life and memory from the aspersions of contemporary calumniators. But, in justice both to myself and to others, I am compelled to repudiate and refute the
