Places weaving Textiles.
Sicily, lxvii.
Lucca, lxxi.
Genoa, lxxii.
Venice, lxxiii.
Florence, lxxv,
Milan, lxxvi.
Great Britain, lxxvi.
Ireland, lxxix.
Flanders, lxxix.
France, lxxx.
Cologne, lxxxi.
Acca or Acre, lxxxiii.
Buckram, lxxxv.
Burdalisaunder, lxxxv.
Fustian, lxxxvi.
Muslin, lxxxvii.
Cloth of Areste, lxxxvii.
Silks distinguished through their Colours and shades of Colour.
Cloth of Tars, lxxxix.
Indicus, or sky-blue, xc.
Murrey, xc.
Changeable, or shot, xci.
Marble, xci.
Section II.—Embroidery.
Of the Egyptians, xcii.
Of the Israelites, xcii.
Of the Greeks and Latins, or Phrygionic, xciii.
Opus plumarium, or feather-stitch, xcv.
Opus pulvinarium, or cushion-style, xcvi.
Opus pectineum, or comb-drawn, xcvi.
Opus Anglicum, or English work, xcviii.
Opus consutum, or cut work, cii.
Accessories of gold and silver, civ;
glass, cv;
enamel, cv.
Diapering, cviii.
Thread embroidery, cix.
Quilting, cx.
Section III.—Tapestry.
Egyptian, cx.
Asiatic, cxi.
English, cxi.
Flemish, cxii.
Arras, cxii.
Saracenic, cxii.
Imitated Tapestry—"stayned cloth," cxiv.
Carpets, cxv.
Section IV.
Usefulness of the Collection
To the Historian, cxvi.
The miscalled Bayeaux Tapestry, cxvi.
Section V.—Liturgy.
Liturgical rarities, cxxiii.
Section VI.
Usefulness of the Collection to
Artists, cxxx.
Manufacturers, cxxx.
Section VII.
Symbolism, cxxxv.
The Gammadion, cxxxvii.
Vow of the Swan, the Peacock, &c., cxli.
