of Antiquaries, plate 17, shows, in large, a portion of this embroidery where the piece before us is figured; and, from the writing under it, we learn that it was brought away from Bayeux by Mrs. Stothard, when her husband was occupied in making drawings of that interesting record. There is not the slightest reason for believing that this embroidery was the work of Matilda, or any of her ladies of honour, or waiting maids; but all the probabilities are that it was done by English hands, may be in London by order, and at the cost, of one or other of three knights from Bayeux, who came over with William, on whom he bestowed much land in England, as we have already shown in the Introduction to this Catalogue, § 4.
698.
Door-curtain, ground, yellow and gold; pattern, in rich raised green velvet, two small eagles with wings displayed, and between them a large vase, out of which issues a conventional flower showing the pomegranate, surmounted by a modification of the same fruit amid wide-spreading foliations. Milanese, 16th century. 8 feet 8 inches by 6 feet 6 inches.
Though the golden threads of the ground in this magnificent stuff
are much tarnished, still this piece is very fine, and may have been part
of some household furniture wrought at the order of the Emperor
Charles V, whose German eagle is so conspicuous in the design, while
the pomegranate brings to mind Spain and Granada.
699.
Piece of Embroidery; ground, a brown fine linen, backed with strong canvas; pattern, female figures, monkeys, flowers, shells, &c. in coloured worsteds. French, late 17th century. 8 feet 9 inches by 8 feet 3 inches.
This large work is admirably done, and a fine specimen both of the
taste with which the colours are matched, and the stitchery executed;
and it may have been intended as the hanging for the wall of a small
room.
