are garmented, as with a robe of light. The bushiness of the auburn hair on all of them is remarkable, and done in little locks of silk.
For a student of mediæval music, this angel-choir will have an especial interest; but, to our thinking, neither this, nor any other production of the subject, whether wrought in sculpture, painting, or needlework, hitherto found out on the Continent, at all comes up in beauty, gracefulness, or value, to our own lovely minstrel-gallery in Exeter Cathedral, or the far more splendid and truly noble angel-choir sculptured in the spandrils of the triforium arches in the matchless presbytery at Lincoln Minster. A cast of the Exeter minstrel-gallery is put up here on the western wall of the north court, and among the casts lent by the Architectural Society are those of the angels in Lincoln.
Of the musical instruments themselves, we see several in these two pieces of cut-work. Beginning with the back orphrey, marked No. 1194 at top, the first of the two angels is playing with the fingers of both hands an instrument now indiscernible; the second, the lute; below them one is beating a tabour with a stick; the other is turning the handle of the gita, our hurdy-gurdy. After these we have an angel blowing a short horn, while his fellow angel strikes the psaltery. Then an angel robed as a deacon in alb, and stole worn like a belt falling from his right shoulder to under his left arm, sounding the sistrum or Jew's harp, and his companion fingers with his right hand a one-stringed instrument or ancient monochord. In the last couple, one with a large bow is playing the viol, a long narrow instrument with several silver strings.
On the orphrey,—made in the shape of a cross and worn on the back of the chasuble, No. 1195,—the first angel plays the pan-pipes; the second, a gittern, or the modern guitar; the next two show one angel, as a deacon in dalmatic, jingling an instrument which he holds by two straps, hung all round with little round ball-like bells; and his companion, robed in alb and stole crossed at the breast like a priest, ringing two large hand-bells; lower down, of the two angels both vested as deacons, one blowing a large, long curved-horn, like that of the aurochs, the other, the shalmes or double-reeded pipe. Below these, one in alb and stole, belt-wise as a deacon, blows a cornamuse or bag-pipe; the other, as deacon, the aurochs' horn. Then a deacon angel has a trumpet; his fellow, a priest in alb and crossed stole, is playing a triangle; last of all, one plays a tabour, the other the monochord. So note-worthy are these admirable embroideries, that they merit particular attention.
