The high-peaked canopy, with its crocketing and finial well formed and once all covered with gold, holds a female figure, crowned like a queen, with the banner of the Resurrection in one hand and a chalice, having on it the sacred host, in the other, which may be taken for the person of the Church, while the majestic prophet beneath her seems to be Malachi holding a long unfolded scroll significative of those words of his relating to the sacrifice in the New Law. In the embroidery of the figures this piece very much resembles the style of needlework in the part of an orphrey, No. 1313. In his "Geschichte der Liturgischen Gewänder des Mittelalters," 2 Lieferung, pl. xii. Dr. Bock has given figures of this curious lappet.
1306, 1306A.
Silk Damask; ground, fawn-coloured; design, amid sunbeams, raindrops, and foliage, large birds clutching in their talons a scroll charged with a capital letter R thrice repeated, all in light green. Sicilian, late 14th century. 13 inches by 6-1/2 inches; and 8 inches by 3-3/4 inches.
The design of this stuff is rather curious from the inscribed scroll,
the letter R of which is very Italian.
1307.
Silk and Gold Damask; ground, fawn-colour; design, amid a conventional foliation shooting out in places with large fan-like flowers in gold, braces of small birds on the wing and pairs of running dogs with two antelopes, couchant, biting a bough, both in gold. Sicilian, 14th century. 12-1/2 inches by 8-1/2 inches.
A very good design well drawn, but unfortunately not quite perfect
in the specimen, the golden parts of which are much tarnished.
1308.
Silk Damask; ground, rosy fawn-coloured; design, within a wreath made up mostly of myrtle-leaves and trefoils, a lion's head cabosed, above which is a bunch
