The convents in France, but more particularly in Flanders, were at all times famous for this kind of work; hence it is often called nun's lace, because wrought by them for trimming altar-cloths and albs. The present one is a good specimen of a geometrical pattern, and the two borders are neatly done by the needle upon linen. In all likelihood this piece was the hem of an altar-cloth.
1359.
Linen Damask; design, scrolls and foliage, with a deep border showing ducal coronets, armorial shields, and the letters L and K. Flemish, early 17th century. 28-1/4 inches by 11-1/2 inches.
An elaborate specimen of the way they geared their looms in
Flanders, and more especially at Yprès, where most likely, this fine
damask was woven. The shield is party per pale, 1st, two chevronels
embattled; 2nd, three turreted towers, two and one. Seemingly this
piece of Flemish napery was made for some nobleman whose wife was,
or claimed to be, of the ancient blood of the royal house of Castile.
1360.
Silk Damask; ground, crimson; design, bunches of flowers, artichokes, and pomegranates, in yellow. Spanish, 16th century. 20 inches by 11-1/4 inches.
A rich stuff, whether colour or material be considered; and quite
agreeing with other specimens in the love of the southern Spanish loom
for the pomegranate, the emblem of Granada, where probably it was
wrought.
1361.
Silk Damask; ground, dull violet; design, within reticulated squares, a conventional bunch of flowers much in the honeysuckle shape, in white and yellow. Italian, 16th century. 6 inches by 7-1/2 inches.
Though the silk is good, the weaving is rather coarse and rough.
