Page:Textile fabrics; a descriptive catalogue of the collection of church-vestments, dresses, silk stuffs, needle-work and tapestries, forming that section of the Museum (IA textilefabricsde00soutrich).pdf/33

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autem opere nobilis textoris, thecam in opere proprio involutam centonis in modum subintrat jamque similis papilioni, &c."[1]

Of those several raw materials that have, from the earliest periods, been employed in weaving, though not in such frequency as silk, one is


Gold,

which, when judiciously brought in, brings with it, not a barbaric, but artistical richness.

The earliest written notice we have about the employment of this precious metal in the loom, or of the way in which it was wrought for such a purpose, we find set forth in the Pentateuch, where Moses tells us that he (Beseleel) made of violet and purple, scarlet and fine linen, the vestments for Aaron to wear when he ministered in the holy places. So he made an ephod of gold, violet, and purple, and scarlet twice dyed, and fine twisted linen, with embroidered work; and he cut thin plates of gold and drew them small into strips, that they might be twisted with the woof of the aforesaid colours.[2] Instead of "strip," the authorized version says, "wire," another translation reads "thread;" but neither can be right, for both of these English words mean a something round or twisted in the shape given to the gold before being wove, whereas the metal must have been worked in quite flat, as we learn from the text.

This brings us to a short notice of


Cloth of Gold, or Tissue.

The use of gold for weaving, both along with linen or quite by itself, existed, it is likely, among the Egyptians, long before the days of Moses. In either way of its being employed, the precious metal was at first wrought in a flattened, never in a round or wire shape. To this hour the Chinese and the people of India work the gold into their stuffs after the first and ancient form. In this fashion, to even now, the Italians love to weave their lama d'oro, or the more glistening toca—those cloths of gold which, to all Asiatic and many European eyes, do not glare with too much garishness, but shine with a glow that befits the raiment of personages in high station.

Among the nations of ancient Asia, garments made of webs dyed with the costly purple tint, and interwoven with gold, were on all grand occasions worn by kings and princes. So celebrated did the Medes and Persians become in such works of the loom, that cloths of extraordinary

  1. Ed. T. Wright, p. 272.
  2. Exodus xxxix. 1, 2, 3.