praying with one of the men who are feeding the fire with bundles of wood, on his knees, as if converted by her words; then, the saint standing at a table, around which are three men; and below all, a piece so worn and cut, as to be unintelligible. Upon the last square but one is a shield argent, a bend azure, charged with a crescent or, two stars or, and another crescent or, probably the blazon of the Pandolfini family, to whose domestic chapel at Florence this vestment is said to have belonged.
7789, 7790.
Dalmatic, and Tunicle, in crimson velvet, with apparels of woven stuff in gold and crimson silk, figured with cherubic heads. Florentine, 15th century.
The velvet is of a rich pile, and the tone of colour warm. The
orphreys, or rather apparels, are all of the same texture, woven of a red
ground, and figured in gold with cherubic heads, having white faces;
the lace also is red, and gold; but in both the gold is quite faded. The
sleeves are somewhat short, but the garment itself is full and majestic.
Doubtless the dalmatic and tunicle formed a part of a full set of vestments,
to which the fine and curiously embroidered chasuble, No. 7788,
belonged; and their apparels, or square orphreys, above and below, before
and behind, are in design and execution alike to several others from
the looms of Florence, which we have found among various other remains
of liturgic garments in this collection.
7791.
Piece of Woven Orphrey; ground, crimson silk; design, in gold, an altar, with an angel on each side clasping a column, and above, other two angels worshipping; and upon the step leading to the altar, the words "sanctus, sanctus." Florentine, early 16th century. 9 feet 7 inches by 9 inches.
The design is evidently meant to express the tabernacle at the altar,
where the blessed sacrament is kept in church, for administration to the
sick, &c, and, like all similar textiles, was made of such a length as to
be applicable to copes, chasubles, and other ritual uses.
