petals of the quatrefoil is a kneeling angel, deacon-vested, holding in each hand a bell, which he is ringing, while in the east and west petals are other like-robed angels, both incensing with a thurible. Outside the quatrefoil are represented within circles at the south-west corner the British St. Ursula—one of the patron saints of Cologne—standing with a book in one hand, and an arrow in the other; at the south-east corner St. Helen (?), with cross and book; at the north-west, St. Lucy with book and pincers; at the north-east, a virgin martyr, with a book and a branch of palm. At each of the angles, in the corners between the petals, is an open crown. Above stands in the middle a double-handled vase, between two wyverns, jessant oak branches. Over this species of heraldic border is another large quatrefoil arranged in precisely the same manner: the angels—two with bells, two with thuribles—are there, so too are the corner crowns, within and encircled by the words Gloria: in: exc(e)l(s)is: Deo: et: in: terr(a), we have the Assumption of the Blessed Virgin Mary, after this manner: seated upon a throne is our Lord in majesty, that is, crowned and holding the mund or ball surmounted by a cross in His left hand; with His right He is giving His blessing to His mother, who is seated also on the same throne, crowned, with her hair about her shoulders, and with hands upraised to Him as in the act of prayer. At the top, to the left, is St. Catherine, with a sword in one hand, a wheel armed with spikes in the other; to the right, St. Dorothy, with a blooming branch in one hand and in the other a basket—made like a cup with foot and stem—full of flowers; below, St. Barbara, with tower and palm-branch, in the left side; on the other, St. Mary Magdalen, with an ointment box and palm. Here the design is reversed, and very properly so, as otherwise it would be, when thrown over the lectern, upside down; and curiously enough, just at this place there is a large hole, caused, as is clear, by this part of the needlework being worn away from the continual rubbing of some boss or ornament at the top of the folding lectern, which most likely was wrought in iron. This shorter length of the design—that portion which hung behind—begins with the double-handled vase and two wyverns, and has but one quatrefoil arranged like the other two in the front part: within the circle inscribed Ecce: ancilla: Domini: fiat: michi—we see the Annunciation; kneeling before a low reading desk, with an open book upon it, is the Blessed Virgin Mary, with the Holy Ghost under the form of a nimbed dove coming down from heaven, signified by the nebulæ or clouds, upon her; and turning about with arms wide apart, as if in wonderment, she is listening to Gabriel on his knees and speaking his message in
