notices of such lecterns may be sometimes found; in the choir of Cobham College, Kent, A.D. 1479, there was such an article of church furniture, "Church of our Fathers," ii. 201, and doubtless it was usually covered with a veil.
8359.
Chasuble of Silk Damask, green and fawn-coloured, freckled in white with small flowers, inscriptions, and other ornaments; the pattern, in bands, consists of a large fan-like flower-bearing plant, and a double-handled vase, from which shoots up the thin stem of a tree between two hunting leopards collared, and addorsed, with an Arabic inscription beneath the vase, both plant and vase occurring alternately; these bands are separated by a narrower set of bands divided into squares enclosing birds of prey alternately gardant segeant. Syrian, late 13th century. 9 feet 5 inches by 4 feet.
This stuff betrays a few lingering traditions of the Persian style of
design, and some people will see in the little tree between those hunting
leopards the "hom," or sacred tree of the olden belief of that country.
The material of it is thin and poor, and in width it measures twenty-one
inches. The characters under the vase holding the leopards and
"hom," are but an imitation of Arabic, and hence we may presume
that it was woven by Jewish or Christian workmen for the European
market, and to make it pass better, as if coming from Persia, inscribed
as best they knew how, with Arabic letters, or imitations of that
alphabet.
8360.
Back of a Chasuble, blue silk wrought all over with beasts and birds in gold beneath trees. The orphrey of crimson silk is embroidered with flowers and armorial shields. The blue silk, Italian, 14th century; the orphrey, German, 15th century. 3 feet 8-1/2 inches by 2 feet 5 inches.
The birds that are shown on this blue-grounded piece of rather
shining silk are peahens, standing on green turf sprinkled with white
