clothed in white, but with such curious nebule-nimbs about their heads as to make their brows look horned, more like spirits of evil than of good. The open crowns are thoroughly after a western design; and the head and shoulders of a winged figure, to the left, show that we have not the entire design before us. From the graceful way in which the figures are made to float, as well as from several little things about the scrolls, we may safely conclude that the designer of the pattern lived in upper Italy, and that this costly and elegant brocade was wrought at Lucca. Of the Oriental elements of this pattern we have said a few words at No. 8288.
8617.
Stole of deep purple silk, brocaded in gold and crimson; pattern, a long flower-bearing stem, and large flowers. Italian, early 15th century. 9 feet 6 inches by 4 inches.
Like all the old stoles, this is so long as almost to reach down to
the feet, and is rather broader than usual, but does not widen at the
ends, which have a long green fringe. The stuff is of a rich texture,
and the pattern good.
8618.
Part of a Linen Cloth, embroidered with sacred subjects, and inscribed with the names, in Latin, of the Evangelists. German, end of the 14th century. 6 feet by 4 feet.
Unfortunately, this curious and very valuable sample of Rhenish
needlework is far from being complete, and has lost a good part of its
original composition on its edges, but much more lamentably on the
right hand side. Not for a moment can we think it to have been an
altar-cloth properly so-called, that is, for spreading out over the table
itself of the altar; but, in all likelihood, it was used as a reredos or
ornament over but behind the altar, as a covering for the wall. Another
beautiful specimen of the same kind has been already noticed under
