That this cloth has been cut down is evident; the sacred monogram is not in the middle, and the higher row of flowers is shortened. Though hemmed with tape on one side, and edged on two sides by very narrow strong lace, and on the fourth or front border by a broader lace, its last use was as a covering for some sort of table, not an altar properly so called; it is by far very much too small for any such purpose. In all likelihood, this cloth was made to overspread the top of a praying desk, or some little table strewed with devotional objects in a bed-room or private oratory.
8678.
Portion of Worsted Embroidery upon light brown linen; the pattern, a scroll of flowers and foliage in colours German, late 16th century. 1 foot 5-3/4 inches by 4-1/4 inches.
The design is made to run along well, and the colours are nicely
contrasted.
8679.
Piece of Silk Damask, of a light red and straw colour; pattern, two varieties of the pomegranate mixed with large artichokes and small crowns, and separated by thick branches, which are purpled with broad ivy-like leaves. Italian, 16th century. 2 feet 10 inches by 1 foot 11 inches.
A bold pattern, remarkable for the originality of some parts of its
design.
8680, 8680A.
Two Pieces of Raised Velvet, green and gold; pattern, a modification of the favourite pomegranate and its accompanying intertwining foliage; very large and incomplete. Florentine, early 16th century. 2 feet 1 inch by 9-1/2 inches; 1 foot 3 inches by 10-1/2 inches.
