Boreas with a lance, which he is aiming against Neptune, in one hand, while in the other he holds by a cord a rough wooden yoke, to which are tied two boys floating in the water, and each with a pair of bellows, which he is blowing. Drawn by two steeds comes Neptune with uplifted trident, to still the winds raised by the two boys; and over his head are Eurus and the western wind in the shape of females flying in the air, one snapping the tall mast of one of Æneas's ships, and the other pouring out broad streams of water from four vases, one in each hand. The bellows are very like those elaborately-carved ones in the Museum, out of Soulages collection.
1483.
Tapestry Wall-hanging; subject, Æneas and Achates before Dido, at Carthage. Flemish, 17th century.
The passage, in Virgil's first book of the Æneid, descriptive of
Æneas, with the faithful Achates at his side, relating his adventures to
Dido, the Carthaginian queen, is here illustrated. The youthful princess,
enthroned beneath a cloth of estate, is listening to the Trojan
prince before her, and around are her ladies in gay costume, her own
being of light blue silk damasked with a large golden flower. As a background
we see the port filled with Æneas's ships, to which countrymen
are driving sheep and oxen for their crews. The women are quite of
the Flemish type of fat beauty, and the odd head-dress for a man on
Achates is remarkable.
1582.
Tapestry Hanging; subject, the departure of Æneas from Carthage. Flemish, 17th century.
In the foreground is Æneas taking leave of Dido, who is fainting
into the arms of her waiting ladies. Behind, is a youth working as a
mason and building a wall: further back, are seen horses richly caparisoned,
upon one of which rides Dido, while Mercury comes flying down
bidding Æneas to haste him away.
