done with perhaps a fraudulent intention of palming on the world Syrian for real Persian silks, those Syrians usually put into their own designs a something which spoke of their peculiar selves and their workmanship. Though there be seen the "homa," the "cheetah," and other elements of Persian patterns, still the discordant two-handled vase, the badly imitated Arabic sentence, betray the textile to be not Persian, but Syrian. No. 8359, p. 213, will readily exemplify our meaning. Furthermore, perhaps quite innocent of any knowledge about Persia's first belief, and her use of the "homa" in her old religious services, the Christian weavers of Syria, along with the Zorasterian symbol, put the sign of the cross by the side of that "tree of life," as we find upon the piece of silk, No. 7094, p. 140. Another remarkable specimen of the Syrian loom is No. 7034, p. 122, whereon the Nineveh lions come forth so conspicuously. As a good example of well-wrought "diaspron" or diaper, No. 8233, p. 154, may be mentioned, along with No. 7052, p. 127.
Saracenic weaving, as shown by the design upon the web, is exemplified in several specimens before us.
However much against what looks like a heedlessness of the Koran's teachings, certain it is that the Saracens, those of the upper classes in particular, felt no difficulty in wearing robes upon which animals and the likenesses of other created things were woven; with the strictest of their princes, a double-headed eagle was a royal heraldic device, as we have shown, p. lxiii. Stuffs, then, figured with birds and beasts, with trees and flowers, were not the less of Saracenic workmanship, and meant for Moslem wear. What, however, may be looked for upon real Saracenic textures is a pattern consisting of longitudinal stripes of blue, red, green, and other colour; some of them charged with animals, small in form, other some written, in large Arabic letters, with a word or sentence, often a proverb, often a good wish or some wise saw.
As examples we would point to No. 8288, p. 178, and 7051, p. 127. For a fair specimen of diapering, No. 7050, p. 127, while No. 8639, p. 243, presents us with a design having in it, besides the crescent moon, a proof that architectural forms were not forgotten by the weaver-draughtsman, in his sketches for the loom.
Later, in our chapter on Tapestry, we shall have occasion to speak about another sort of Saracenic work or tapestry, of the kind called abroad, from the position of its frame, of the basse-lisse.
Moresco-Spanish, or Saracenic textiles, wrought in Spain, though partaking of the striped pattern, and bearing words in real or imitated Arabic, had some distinctions of their own. The designs shown upon these stuffs are almost always drawn out of strap-work, reticulations, or
