Page:The American Novel - Carl Van Doren.djvu/36

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THE AMERICAN NOVEL

was attracted to no others. The landing of the Pilgrims, the witchcraft mania at Salem, Connecticut and its Charter Oak, the Dutch on the Hudson, Penn's liberality and tolerance, the settlement at Jamestown, Pocahontas and her career, Bacon's Rebellion, John Locke's schemes for the Carolinas, the debtors in Georgia, and, somewhat later, the siege of Louisburg and Braddock's defeat: each of these early became the center of an increasing legend. Particularly important was a theme which in some form or other belonged to every colony—the warfare with the Indians for undisturbed possession of the soil from which they had been driven. So long as the natives had been dangerous to the invaders there had existed that bitterness of race-hatred which goes along with race-menace, and which kept out of the records of the old Indian wars, from Maine to Florida, any real magnanimity or sympathy for the dispossessed owners of the land. They were as paynims to Christian knights, as the sons and daughters of Amalek to the invaders of Canaan. King Philip's War in New England having begotten better books than any other, it lived in the popular memory more vividly than did the equally bitter and important but unrecorded Tuscarora and Yemassee wars in the Carolinas, for instance. The Deerfield raid, in large measure because of the Rev. John Williams's narrative of his captivity, became classic while similar episodes elsewhere were forgotten. Toward the end of the eighteenth century, however, when the Indian was no longer in any way a menace, he had begun to be sentimentalized by admirers of the natural man, with whom he was commonly identified by Europeans