musical setting has won the praise of those most qualified to form opinion, while the theme of the ballet is one which offers unusual stimulus to the imagination and intellectual sympathy of the audience. Judged as a complete whole, Pétrouchka still seems to me a little disappointing. Here and there the convention is overstrained, and one is often brought up too sharply by that danger which must always be lurking when the same method of pantomimic representation is applied to characters both human and non-human. The dolls by themselves behave most properly. And the crowd of Russian peasants by itself is quite convincing. But when the two kinds mingle together the effect becomes unsatisfying. For the essential difference between either mode of being is not sufficiently pronounced—cannot be,
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