Page:The Atlantic Monthly, Volume 20.djvu/135

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1867.]
Reviews and Literary Notices.
127

ume, the student does not seem to have much reason to complain.

The past quarter of a century has not added much to our knowledge of Palestine. Stanley, Bonor, Stewart, Lynch, Tobler, Barclay, De Saulcy, Sepp, Tristam, Porter, Wetystein, the Due de Luyner, and others, have travelled and written, but the mysteries remain mysteries still.


Memoirs and Correspondence of Madame Récamier. Translated from the French and edited by Isaphene M. Luyster. Fourth Edition. Boston: Roberts Brothers.

In an article contributed a year or two since to these pages, Miss Luyster sketched the career of the beautiful and good woman whose history is minutely recounted in the volume before us. It is a fascinating history, for Madame Récamier was altogether as anomalous as any creation of French fiction. Her marriage was such only in name; she lived pure, and with unblemished repute, in the most vicious and scandalous times; she inspired friendship by coquetry; her heart was never touched, though full of womanly tenderness; a leader of society and of fashion, she never ceased to be timid and diffident; she ruled witty and intellectual circles by the charm of the most unepigrammatic sweetness, the merest good-heartedness.

The correspondence of Madame Récamier consists almost entirely of letters written to her; for this adored friend of literary men wrote seldom herself, and at her death even caused to be destroyed the greater part of the few notes she had made toward an autobiography. In the present Memoirs Madame Lenormant chiefly relies upon her own personal knowledge of Madame Récamier's life, and upon contemporary hearsay. It is a very interesting book, as we have it, though at times provokingly unsatisfactory, and at times inflated and silly in style. It is not only a history of Madame Récamier, but a sketch of French society, politics, and literature during very long and interesting periods.

Miss Luyster has faithfully performed the ever-thankless task of translation; and, in preparing Madame Lenormant's work for the American public, has somewhat restrained the author's tendency to confusion and diffusion. Here and there, as editor, she has added slight but useful notes, and has accompanied the Memoirs with a very pleasantly written introduction, giving a skilful and independent analysis of Madame Récamier's character.


Old England: its Scenery, Art, and People. By James M. Hoppin, Professor in Yale College. New York: Kurd and Houghton.

"The 'Pavilion,' with its puerile domes and minarets, recalls the false and flimsy epoch of that semi-Oriental monarch, George IV. His statue by Chantrey stands upon a promenade called the 'Old Steine.' The house of Mrs. Thrale, where Doctor Johnson visited, is still standing. The atmosphere of Brighton is considered to be favorable for invalids in the winter-time, as well as the summer."

In this haphazard way many of the various objects of interest in Old England are introduced to his reader by a New England writer, who possibly mistakes the disorder of a note-book for literary ease, or who possibly has little of the method of picturesqueness in him. In either case his reader returns from Old England with the impression that his travelling-companion is a sensible, honest observer, who, in forming a book out of very good material, has often builded, not better, but worse, than he knew. There is no want of graphic touches; there is enough of fine and poetic feeling; but there is no perspective, no atmosphere: much of Old England through this book affects one somewhat as a faithful Chinese drawing of the moon might.

At other times Mr. Hoppin's treatment of his subject is sufficiently artistic, and he has seen some places and persons not worn quite threadbare by travel. He did not pay the national visit to Mr. Tennyson, although he had a letter of introduction; and of those people whose hospitality he did enjoy, he writes with great discretion and good taste. His sketch of the High Church clergyman at Land's End is a case in point, and it has an interest to Americans for the light it throws upon the present conflict of religious thought in England.

Mr. Hoppin writes best of the less frequented parts of England, of Land's End, and of Cornwall and Penzance; but he writes no more particularly of them than of the suburbs of London. The chapter on London art and the London pulpit is a curious melange of shrewd, original thoughts