SUNSHINE AND PETRARCH.
NEAR my summer home there is a little cove or landing by the bay, where nothing larger than a boat can ever anchor. I sit above it now, upon the steep bank, knee-deep in buttercups, and amid grass so lush and green that it seems to ripple and flow instead of waving. Below lies a tiny beach, strewn with a few bits of driftwood and some purple shells, and so sheltered by projecting walls that its wavelets plash but lightly. A little farther out, the sea breaks more roughly over submerged rocks, and the waves lift themselves, ere breaking, in an indescribable way, as if each gave a glimpse through a translucent window, beyond which all ocean's depths might be clearly seen. On the right side of my retreat a high wall limits the view, while on the left the crumbling parapet of Fort Greene stands out into the foreground, its grassy scarp so relieved against the blue water, that each inward-bound schooner seems to sail into a cave of grass. In the middle distance is a white lighthouse, and beyond lie the round tower of old Fort Louis and the soft low hills of Conanicut.
Behind me an oriole chirrups in triumph amid the birch-trees which wave around the house of the haunted window; before me a kingfisher pauses and waits, and a darting blackbird shows the scarlet on his wings. From the mossy and water-worn stones of the fort the bright-eyed rats peep out, or, emerging, swim along the beach, with a motion made graceful, as is all motion, by contact with the water. Sloops and schooners constantly come and go, careening in the wind, and their white sails taking, if remote enough, a vague blue mantle from the delicate air. Sailboats glide in the distance,—each a mere white wing of canvas,—or coming nearer, and glancing suddenly into the cove, are put as suddenly on the other tack, and almost in an instant seem far away. There is to-day such a live sparkle on the water, such a luminous freshness on the grass, that it seems, as is so often the case in early June, as if all history were a dream, and the whole earth were but the creation of a summer's day.
If Petrarch still knows and feels the consummate beauty of these earthly things, it may seem to him some repayment for the sorrows of a lifetime that one reader, after all this lapse of years, should choose his sonnets to match this grass, these blossoms, and the soft lapse of these blue waves. Yet any longer or more continuous poem would be out of place to-day. I fancy that this narrow cove prescribes the proper limits of a sonnet; and when I count the lines of ripple within yonder projecting wall, there proves to be room for just fourteen. Nature meets our whims with such little fitnesses. The words which build these delicate structures are as soft and fine and close-textured as the sands upon this tiny beach, and their monotone, if such it be, is the monotone of the neighboring ocean. Is it not possible, by bringing such a book into the open air, to separate it from the grimness of commentators, and bring it back to life and light and Italy? The beautiful earth is the same as when this poetry and passion were new; there is the same sunlight, the same blue water and green grass; yonder pleasure-boat might bear, for aught we know, the friends and lovers of five centuries ago; Petrarch and Laura might be there, with Boccaccio and Fiammetta as comrades, and with Chaucer as their stranger guest. It bears, at any rate, if I know its voyagers, eyes as lustrous, voices as sweet. With the world thus young, beauty eternal, fancy free, why should these delicious Italian pages exist but to be tortured into grammatical examples? Is there no reward to be imagined for a delightful book that can match Browning's fantastic burial of a
