of novelty and excitement in it. It is a great pull, as they say here, to have remained sensitive,—to have kept one's own point of view. I mean it's more entertaining,—it makes you see a thousand things (not that they are all very charming). But the pleasure of observation does not in the least depend on the beauty of what one observes. You see innumerable little dramas; in fact, almost everything has acts and scenes, like a comedy. Very often it is a comedy with tears. There have been a good many of them, I am afraid, in the case I am speaking of. It is because this history of Sir Ambrose Tester and Lady Vandeleur struck me, when you asked me about the relations of the parties, as having that kind of progression, that when I was on the point of responding, I checked myself, thinking it a pity to tell you a little when I might tell you all. I scarcely know what made you ask, inasmuch as I had said nothing to excite your curiosity. Whatever you suspected, you suspected on your own hook, as they say. You had simply noticed the pair together that evening at Doubleton. If you suspected anything in particular, it is a proof that you are rather sharp, because they are very careful about the way they behave in public. At least they think they are. The result, perhaps, doesn't necessarily follow. If I have been in their confidence you may say that I make a strange use of my privilege in serving them up to feed the prejudices of an opinionated American. You think English society very wicked, and my little story will probably not
